“Do High Priced Pipes Really Smoke Better.”
My Conclusions…
After conducting my smoking test and talking to several expert pipe carvers and restorers, I decided the answer is so subjective for a yes or no answer. What makes a pipe a quality smoker depends on the definition of a quality smoker by each pipe smoker. I have several hypotheses and a theory.
First the theory.
The reason more expensive pipes are considered to be better smokers is because more time, money and effort go into producing the pipe and the quality control is better. In other words, high-end manufacturers usually have strict quality control guidelines. If at the end of the manufacturing process, the pipe doesn’t meet those guidelines, it is either destroyed or sold as a second or basket pipe. This doesn’t mean that every high-end pipe is perfect but the chance of it being a bad smoker is less.
This also apply to Artisan pipes carved by people like Mark Tinsky, Walt Cannoy, Ryan Alden, Rad Davis, et al. Artisan pipes are more likely to be great smokers because they are going to make sure it is a perfect pipe before selling. If for some reason, the pipe has problems, they tend to stand behind their work and fix it.
Now for the hypothesis.
After the engineering, the most important part is the quality of the briar itself. I believe artisans and companies always buy the best briar blocks that they can afford. They don’t call up a dealer and send me 1,000 lbs. of whatever is on the shelf. They ask about the aging, curing and grading.
After harvesting, cutting, boiling and air drying for two years minimum, the briar is ready to sell. The longer the briar is aged, the more it’s worth. In some cases, the blocks are aged for decades before selling. Briar dealers inspect each block and assign it a quality grade. Carvers and manufacturers make their purchases based on the length of aging and the grading. The more money they spend, the chances of better blocks increases.
Conversely, there is the old saying that “even a blind squirrel occasionally finds an acorn.” By that I mean even carvers/manufacturers on the lower end of the pay scale can and do occasionally find and produce a pipe worth more than what the end user pays.
Good smoking, low cost pipes…
Wait! What about Kaywoodie, Dr. Grabow, Wally Frank and other mass-produced pipes from the mid-20th century? My hypothesis is there weren’t as many high-end artisan carvers back then, so it was easier for them to get better grade briar. Also, despite not being “hand-made” the engineering on the pipes was very good. Large collecting communities for Kaywoodie and Dr. Grabow will attest to this.
Finally…
While pipe smokers will continue to argue this question no matter what I say, I want to turn to one I consider an expert – Dr. Fred J. Hanna. His book, “The Perfect Smoke” published in 2012, is a collection of his essays about pipe smoking
I recommend the essays in Chapter Three of his book. “Choosing the Great Briar Pipe: Factors to Consider (Pages 91-102) discusses the 24 factors Hanna considers important for choosing a great briar pipe. These include the draught hole location and the size, the length of the tenon, the thickness of the bowl wall, etc.
The third essay in the book, “The Myth of Brand and Maker in Pipe Smoke and Tasting” (pages 111 – 124) is also very enlightening as he explains that “a great-smoking pipe is not the same as a great-tasting pipe.” (page 112) I also found his comment that, “The brand myth has the potential to harm our hobby. It can lead us to believe that only the wealthy collectors of high- and ultra-high-grade pipes can enjoy the truly sublime, superlative smoking and taste experience.” (page 124)
My testing set-up
The test pipe results
(© J. Gibson Creative, April 2018)
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